Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy was a German composer, pianist, organist and conductor of the early Romantic period. His works consist of symphonies, concertos, piano music, organ music and chamber music. He was born on 3rd February 1809 in Hamburg, Germany and died on 4th November 1847 in Leipzig, Germany aged 38.
Two piano concertos
Overture to “A Midsummer Night’s Dream” (1826)
“Italian” Symphony (1833)
Violin Concerto (1844)
Felix Jakob Ludwig Mendelssohn was born on 3rd February 1809 in Hamburg, Germany. His father Abraham was a banker and his grandfather was the liberal philosopher Moses Mendelssohn. Abraham had renounced the Jewish religion prior to his son’s birth due to anti-semitism. His mother was Leah nee Saloman, an amateur artist and musician, who came from a wealthy Jewish family in Berlin and taught the piano to her son. Mendelssohn was the second of four children.
1812: The family move to Berlin to escape from France’s Napoleonic army which occupies Hamburg and would have taken a dim view of Abraham’s bank trying to break the Continental System blockade then in force. His father becomes a town councillor and gives his children a thorough education. He feels that Felix’s sister Fanny would become the most musically gifted. All the children study the piano under Ludwig Berger.
1816: His father adds the Bartholdy suffix to the family name. This was the name of Lea’s brother’s house and also the surname he took himself. On 21st March all the children are baptised in a private ceremony at home by the Reformed Protestant minister of the Jerusalem Church. Mendelssohn receives some lessons in Paris from Marie Bigot.
1818: He makes his first public concert appearance at the age of nine, accompanying a horn duo on the piano.
1819: In May he and his sister Fanny study counterpoint and composition with Carl Friedrich Zelter in Berlin.
1820: He joins the Singakademie music society in Berlin, directed by Carl Friedrich Zelter.
1821: Zelter introduces Mendelssohn to his friend and Johan Wolfgang von Goethe in Weimar and he plays for the poet several hours a day. Goethe is very impressed with the young pianist and put him on a par with Mozart, whom he had met in his youth.
1822: His father and mother are baptised and formally adopt the surname Mendelssohn Bartholdy on all correspondence although they had used it informally since 1812.
1824: He studies under the composer and piano virtuoso Ignaz Moschelles who states in his diaries that he has little to teach him. Mendelssohn, still only fifteen, conducts his First Symphony at the Philharmonic Society in London.
1825: He dedicates his Octet opus 20 to Goethe. He translates Publius Terentius Afer’s “Andria” for his tutor Heyse who has it published the following year.
1826: He writes the Overture to “A Midsummer Night’s Dream”. His translation work qualifies him to study at the University of Berlin where, amongst other things, he attends lectures on aesthetics by Georg Wilhelm Friedrich Hegel.
1827: His opera “Die Hochzeit des Camacho” (The Wedding Camacho) is given its premiere and only performance in Berlin and disillusioned he moves away from writing in the format.
1829: He conducts Bach’s “St. Matthew Passion” in Berlin in March. The success of this performance and its first ever outside of Leipzig marks a revival of Bach’s music in Germany and later in the rest of Europe. He completes his time at the university of Berlin. Mendelssohn makes his first visit to London where the composer Ignaz Moscheles introduces him to the city’s musical circles. Later in the summer he visits Edinburgh. In the summer he visits Edinburgh and is inspired to begin wring his “Scottish Symphony” (No. 3) after a visit to Holyrood House. His father writes to him to adopt the surname Bartholdy instead of Mendelssohn as a clear break from his Jewish traditions. Neither Felix nor his sister Fanny are that keen on the name.
1830: He composes the “Hebrides Overture“ which was inspired by his visit to Fingal’s Cave on the Isle of Staffa during the previous year.
1832: He writes the cantata “Die Erste Walpurgisnacht” (The First Walpurgis Night).
1833: Carl Friedrich Zelter dies and he hopes to succeed him as conductor of the Singakademie but the vote goes to Carl Freidrich Rungenhagen instead. Mendelssohn now decides to divide his professional time over the next few years between Britain and Dusseldorf, where he takes up his first paid post of musical director at the opera. His first role is to conduct Mozart’s “Don Giovanni” at the end of the year. His student the British composer and pianist Willliam Sterndale Bennett works with him in London. He writes the “Italian Symphony” No 4.
1835: He accepts the post of conductor for the Leipzig Gewandhaus Orchestra. Both at the Lower Rhine Music Festival where he was director in Düsseldorf and in Leipzig he promotes music by other composers; older ones such as Bach and Handel and newer ones such as Robert Schumann, Clara Schumann and Richard Wagner, whom he upset by losing the manuscript of his early symphony. He writes “Calm Sea and a Prosperous Voyage”.
1836: The premiere of his oratorio “Paulus” (St Paul) is held at the Lower Rhenish Festival. Bennett continues to appear with Mendelssohn in concerts in Leipzig throughout the 1836/1837 season.
1837: He marries Cécile Jeanrenaud in March in Frankfurt. She is the daughter of a minister in the French Reformed Church. He is the guest conductor at the 1837 Birmingham Triennial Music Festival. He conducts a performance of “Paulus”, plays the organ and plays the piano at the premiere of his Piano Concerto No 2 which was specially commissioned by the Festival.
1840: His 2nd Symphony (composed after the 3rd and 4th) is completed and premiered in Leipzig to commemorate the 400th anniversary of the printing press invented by Johannes Gutenberg. Freidrich Wilhelm the Fourth ascends the Prussian throne and wants to make Berlin a cultural capital. He asks Mendelssohn to become Music Director of a new music school there in order to make sweeping reforms.
1841: He writes music for a production of Sophocles’ play “Antigone”.
1842: He finally completes his Symphony No 3. “Scottish”.
1843: He founds the Leipzig Conservatory. He writes the rest of the incidental music for Shakespeare’s “A Midsummer Night’s Dream” which includes the universally famous “Wedding March” section.
1844: He finishes his Violin Concerto after working on it for six years.
1845: He writes music for “Oedipus at Colonus” and “Athalie” by Racine. Money for the music school in Berlin. along with other promises, never happens and he returns to Leipzig.
1846: His oratorio “Elijah” is premiered at the Birmingham Triennial Music Festival on 26th August 1846, at Birmingham Town Hall, and given again in Manchester and London. It is well received by all audiences.
1847: On his last visit to Britain he is the soloist in Beethoven’s Piano Concerto No. 4 and conducts the Philharmonic Orchestra in his “Scottish Symphony”. Queen Victoria and Prince Albert are in the audience. His sister Fanny dies of a stroke in Leipzig in May. Mendelssohn is greatly shocked and upset and visits Scotland to find some peace. He writes his Quartet No. 6 in F Minor in honour of his sister. He suffers a minor stroke himself and is sent to Switzerland to recuperate but he has a second stroke in September which leaves him partially paralysed. A third stroke hits him on 3rd November.
Felix Mendelssohn died on 4th November 1847 in Leipzig after a series of strokes. His funeral was held at the Paukinerkirche in Leipzig and he was buried at the Dreifalttigkeitsfriedhof in Berlin next to his sister. Robert Schumann was amongst the pallbearers.